So obviously I just stopped blogging on this platform. I'll get back to it eventually. Or not. I'm taking a break from all social media. It seemed necessary for my mental health.
The last few years have been busy and … challenging:
- 2015 Happened.
- 2016 Let's call it The Lost Year. (Obviously words failed me.)
- 2017 about broke me. Literally. Mentally.
- 2018 was ridiculous, proving 2017 was just a warm up. (Good thing I was already broken so it couldn't hurt as much.#2018TrashCanFire I thought things were going okay, but maybe not?)
- 2019 was such a blur. I know there were highlights, but then stuff happened and carried into the next year...
- And then in March#2020 really took a turn. Who can even categorize 2020? Do we dare?
I kinda want a do-over of some of the last few years. But life doesn’t work that way.
So for now, I'm hunkering down. Regrouping. Trying to stay safe and sort some stuff out.
Stay safe everyone. Stay well.
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Friday, April 18, 2008
In the Heights
Plans change.
About mid-day an e-mail went around the Big J with a free ticket offer to a newish Broadway show, In the Heights. Hello? Free show? Yes please!
I knew next to nothing about it, aside from it being a new musical set in the Washington Heights section of New York during the present day. I'd heard the radio ads and it had been peripherally on my radar, but since Broadway ticket prices are so expensive these days and I don't have a lot of time or money, I hadn't investigated it further. (Plus, I loathe mid-town. Don't get me wrong. I love Broadway and theater -- but the hordes of people there are worse to navigate than the subway and Grand Central during rush hour -- and that's saying quite a bit.)
The show was totally relatable, especially if you've spent any time in an ethnically diverse neighborhood, have friends from P.R. or any Hispanic/Latin background, or have worked in NYC. My Spanglish was good enough to understand the mix of English, Spanish, hip-hop rap, NY patter, and slang. The set made it look like it was a typical corner in NY, with its bodega, beauty shop, and apartment walk-ups. Two of the leads were actors known for their appearances in Center Stage and Charmed (among other shows), and the mix of Puerto Rican, Dominican, Cuban, African American, and other ethnic mixes were hysterical. There were a lot of "in" jokes that I don't think that the vast audience got, seeing as it's April break and a great deal of out of town school groups are here from the mid-West and the deep South, but those of us who did were crying with laughter. The dancing was a phenomenal mix of Latin, hip-hop, and modern street dancing, and the music was infused with an infectious Latin flavor. (Click here for the Musical Montage)
Apparently the show has quite an evolution. A few colleagues and I were talking about it today, and one of my office mates knows the lead, who was also the show creator. There are a bunch of articles at The New York Times site (see here, here, here, and oh ... here).
Yes, there were moments when the plot was contrived, the songs and staging were calculating, and a few of the characters were weak and their voices weren't as strong as the others. But, it's like t.v. -- suspend belief and buy into the story. If you want to go to a Broadway show set in the current "real" New York, this is it.
For those who need to know about ratings, I would consider it PG-13 for some language, both English and Spanish; suggestive situations, including implied sexual relations (not shown), "dirty" dancing; and some revealing clothing, i.e. short skirts, bared mid-riffs, exposed arms, etc. However, I saw and heard worse every day in school, many many years ago, and see it everyday going to work. If you're prudish, it might be a problem.
If you get a chance to see the show, I recommend it. Avoid the Disney-fication of Broadway and go see ...
In the Heights
Vamanos!