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PROGRAMMING NOTE from the Author and Archivist


So obviously I just stopped blogging on this platform. I'll get back to it eventually. Or not. I'm taking a break from all social media. It seemed necessary for my mental health.

The last few years have been busy and … challenging:

- 2015 Happened.
- 2016 Let's call it The Lost Year. (Obviously words failed me.)
- 2017 about broke me. Literally. Mentally.
- 2018 was ridiculous, proving 2017 was just a warm up. (Good thing I was already broken so it couldn't hurt as much.#2018TrashCanFire I thought things were going okay, but maybe not?)

- 2019 was such a blur. I know there were highlights, but then stuff happened and carried into the next year...

- And then in March#2020 really took a turn. Who can even categorize 2020? Do we dare?


I kinda want a do-over of some of the last few years. But life doesn’t work that way.


So for now, I'm hunkering down. Regrouping. Trying to stay safe and sort some stuff out.


Stay safe everyone. Stay well.

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Tuesday, April 28, 2009

Cultural Escapades

There are some really great things about living and working in one of the cultural capitals of the world. Within a span of a month (or even a day for some people) you can see a serious play, attend free concerts, learn about little known international instruments, and then see a sneak peak of a new film.

A few weeks ago I got to catch up with my dear friend Poopeh and see the Theatre for a New Audience production of Hamlet at the Duke Theater on 42nd Street that everyone was raving about. Our schedules are always so busy that sometimes it takes six months to synch up, so it was great that this get-together got organized relatively quickly. Four of the leads were Big J alumni from various decades, so it was wonderful to see how the School's Drama Department has contacts everywhere. I also had a wonderfully unexpected reunion with some friends from my Caramoor days during the first intermission ... one of those only in New York moments when someone in the crowd passes you by and you go, I KNOW that lady. I turned around and looked up into the seating risers and decided for once not to be my normally shy and retiring self, but go and say hello. Even after more than two years the couple was so lovely and gracious and gave me a big warm hug and kiss. It's good to know that you are missed and that you made an impression at a job -- though after 12 years one would hope so.

The next week I had a double dose of culture, with a lunch-time recital of harps and guitars (much like last year's, but with no fun lyrics) followed by an after-work musical presentation by my lovely colleague T***. As previously mentioned, T*** is a very accomplished domestic goddess, who has an interest in shakuhachi flute. She was recently awarded the jin-shi-han license (to teach shakuhachi) as well as her own Japanese name, and was asked by the Big J's international relations department to do a presentation for the students and interested faculty and staff members about this little-known instrument. Between the q&a, her fun anecdotes, and the very zen music, I felt very educated by the end of the day. These kinds of presentations are a great way to learn about the other side of your colleagues. I knew T*** rocked ... I'm glad that other people got to find out too.

T*** Yuuraka M*******d
Finally, last week I volunteered to help at a membership event for some of the Big J donors, where they were cordially invited to attend an exclusive pre-opening screening of The Soloist, a new film starring Jamie Foxx and Robert Downey Jr., based on the book by Steve Lopez.

The event was at the Paramount Screening Room in mid-town, near the MTV studios and Shubert Alley/Theater District. I usually avoid mid-town at all costs because it is crazy with tourists to the point where you cannot walk down the street. This time I had no choice.

[A word of advice to out-of-towners! People, please do not do the following or one of these days I PROMISE I will knock you over and swear at you like the commuter I am! Do not text and walk -- you have no idea how slow you are walking. Contrary to popular belief, you cannot do two things at one time. The same holds true for cellphones. Do not talk on your cellphone and wander aimlessly down the street, or stop abruptly, OR stop in the middle of the subway stairs to finish up your call and/or text. If you are on the stairs or the escalator, STAY TO THE RIGHT! Also, if you MUST take a picture with a camera or a phone, GET OUT OF THE MIDDLE OF THE SIDEWALK! COME ON ALREADY! Sorry. Mini-rant finished, for now.]

Before the guests arrived, I totally acted like the blogger that I am and took pictures to prove I was there.


The room was on the third floor of this building and the elevator banks opened into this little lobby. The walls were covered with floor to ceiling pictures from some Paramount films, along with this bench at the end of the hall. It took me all night to finally go over and realize that it wasn't a just a place to sit to wait for the elevator, but there for a reason.

That plaque .... read it closely.
It's the bench from
Forrest freaking Gump!

Matt's a good sport. I got him to pose for me,

and take another picture.
(Yes, I'm a geek!)
I am also such a theater dork that I was taking pictures out the window of the screening room to the area next door, which happened to actually be Shubert Alley. How strange is it that I first noticed the architecture, then I noticed the marquee.
I have to get
tickets to this play. I loved the film as a teenager, so I can't wait to see what this production is like. I can't understand why Broadway has to be so expensive though!

All in all, it's been a great month for the cultural outings. It does make for some late night though.
Let's just put it this way, when Grand Central look like this ...
and you can almost see the tumbleweeds rolling by ...

and the clock looks like this ...

meaning you've missed the "early" train and you have to wait for another 30-60 minutes ... it's no wonder that even The Shushing Librarian passes out on the train!
The End.

Roll Credits

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