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PROGRAMMING NOTE from the Author and Archivist


So obviously I just stopped blogging on this platform. I'll get back to it eventually. Or not. I'm taking a break from all social media. It seemed necessary for my mental health.

The last few years have been busy and … challenging:

- 2015 Happened.
- 2016 Let's call it The Lost Year. (Obviously words failed me.)
- 2017 about broke me. Literally. Mentally.
- 2018 was ridiculous, proving 2017 was just a warm up. (Good thing I was already broken so it couldn't hurt as much.#2018TrashCanFire I thought things were going okay, but maybe not?)

- 2019 was such a blur. I know there were highlights, but then stuff happened and carried into the next year...

- And then in March#2020 really took a turn. Who can even categorize 2020? Do we dare?


I kinda want a do-over of some of the last few years. But life doesn’t work that way.


So for now, I'm hunkering down. Regrouping. Trying to stay safe and sort some stuff out.


Stay safe everyone. Stay well.

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Friday, May 16, 2008

Riddle me this - Architecture

On Tuesday I had the occasion to be down by Carnegie Hall on West 57th Street for a concert. I was waiting around for the Box Office to open, and having lots of time, my attention was drawn to the building across the street that used to be the home of CAMI -- Columbia Artists Management, an international musical talent agency. It's a beautiful old edifice, with a huge apartment on the upper stories. Apparently, it's had quite the artistic history. (That building to the right in the photo is now an empty lot -- another of the NYC skyscrapers is due to be built there.)

Having a weird interest these day in building adornments, I was really struck by the ornamentation on the upper levels.
Does anyone else find it slightly odd that there are a series of skulls on a building that had such a storied past AND is across from Carnegie Hall? It's just a little eerie.